Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office)

Philip Guston, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), 1938, tempera on fiberboard, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.77
Philip Guston, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), 1938, tempera on fiberboard, 1226 in. (30.566.1 cm.), Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration , 1962.8.77

Artwork Details

Title
Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office)
Date
1938
Dimensions
1226 in. (30.566.1 cm.)
Credit Line
Transfer from the Internal Revenue Service through the General Services Administration 
Mediums
Mediums Description
tempera on fiberboard
Classifications
Subjects
  • Figure group
  • Occupation — industry — construction
  • Animal — horse
  • Architecture — vehicle — train
  • History — United States — westward expansion
  • Recreation — leisure — reading
  • Study — mural study
  • Occupation — service — postman
  • New Deal — Treasury Section of Painting and Sculpture — Georgia
  • Landscape — Georgia — Commerce
  • Architecture Exterior — civic — post office
Object Number
1962.8.77

Artwork Description

Philip Guston’s mural study shows the history of mail service on the frontier, from the days when sacks of mail arrived on horseback to the coming of railroads and telegraph lines that displaced much of the mail traffic. Artists working for the government in the 1930s considered themselves members of America’s workforce and sympathized with laborers. After Guston submitted his study, government officials noted that he had lavished more attention on the workers than the rest of the image and specified that “The strength of drawing reflected in the two workmen laying the rails . . . is the quality of draftsmanship we would like you to characterize in the entire design.” The bureaucratic process required that Guston submit several versions of the composition to the superintendent of the Treasury Department’s Section of Painting and Sculpture. After he had made the revisions required by the officials, the composition was approved for the post office in Commerce, Georgia. He finished the mural in 246 days and was paid $510 for his efforts. (Edward B. Rowan to Philip Guston, January 4, 1938, SAAM curatorial file)

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Ferry Boat Trip, ca. 1943-1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1011
Ferry Boat Trip
Dateca. 1943-1944
oil on paperboard
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view

More Artworks from the Collection

William H. Johnson, Portrait of a Woman in Profile, ca. 1944, recto: pen and ink and pencil on paper
verso: pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.485R-V
Portrait of a Woman in Profile
Dateca. 1944
recto: pen and ink and pencil on paper verso: pen and ink on paper
Not on view
Joseph Cornell, On the Name of Susan, 1971, collage with ink, paint and pencil on paperboard, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.331
On the Name of Susan
Date1971
collage with ink, paint and pencil on paperboard
Not on view
William H. Johnson, Breakdown Scene, ca. 1940-1941, pen and ink with pencil or carbon transfer on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.483
Breakdown Scene
Dateca. 1940-1941
pen and ink with pencil or carbon transfer on paper
Not on view
William H. Johnson, Two Portrait Heads of a Woman, ca. 1930-1935, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.395
Two Portrait Heads of a Woman
Dateca. 1930-1935
pen and ink and pencil on paper
Not on view